k y m a • t w e a k y — the kyma collective ||
view the current website
||
February 2015 Archive
/
WebHome
/
WebHome
/
EventCalendar
/ Connect.C20070921JeanLewis
Edit
|
Attach
|
Ref'd By
|
Printable
|
More
|
Advanced Search
|
Help
Search
Connect Section
Calendar
New Releases
Publications
Kyma in Schools
Home
Topics
More...
All Sections
Products
Order
Company
Community
Share
Learn
Login
/
Register
Change password
Forgot password?
%SESSION_IF_AUTHENTICATED%
Site Map
%SESSION_ENDIF%
Symbolic Sound
Home
Kyma Forum
Eighth Nerve
TWiki Links
%SESSION_IF_AUTHENTICATED%
TWiki Shorthand
TWiki Formatting FAQ
What is TWiki?
%SESSION_ENDIF%
twiki.org
Mountain Music
Live performance: 21 Sep 2007 -- 7:30 PM
Presented by:
BrianBelet
Public: $5 general; $3 students and seniors. Tickets at the door.
Music Recital Hall and Lobby
Missoula -- USA
http://news.umt.edu/index.asp?sec=671&too=200&dat=9/21/2007&sta=0&wee=4&eve=8&epa=4888
Brian Belet
was the featured guest composer for the
Mountain Computer Music Festival
at University of Montana on September 21 2007. Belet presented a lecture "Composing in 2007: Why do we do it? What does it mean?", an interactive installation
Lobby Reforms
, for unsuspecting audience, concert hall lobby, and Kyma processing (2006),
(Disturbed) Radiance
, for piano and Kyma processing (2003), and
Still Harmless [BASS]ically
, for electric bass and Kyma processing (2000), featuring the composer on electric bass. In
Lobby Reforms
, the pre-concert sounds of people passing through the lobby are transported into the concert hall (as well as back into the lobby) in an informal collage of social activity that differentiates the concert experience from the isolated activity of listening to music through headphones. The transition zone from the outside world to the inner container of the concert hall is an important time and place that physically and metaphorically defines the "before, during, and after" of the concert experience. The audio sources are processed in real-time and then directed back through the sound system to create a sonic environment that leads naturally into the concert itself as the lobby sounds eventually diminish as a result of the audience leaving that space for the concert hall.
Discussion
(Eyewitness reports, descriptions, discussion)
:
Current Rev: r1.2 - 16 Oct 2007 - 19:29 GMT -
KurtHebel
, Revision History:
Diffs
| r1.2 |
>
|
r1.1
© 2003-2014 by the contributing authors. / You are
TWikiGuest