Begault, D.R. 3-D Sound for Virtual Reality and Multimedia. Cambridge: AP Professional. 1994: 258
Evans, B., R. Bargar & C. Scaletti. "An Introduction to Data Sonification." Course Notes for Tutorial 81 of the SIGGRAPH 20th International Conference on Computer Graphics and Interactive Techniques. New York: Association for Computing Machinery. 1993.
Hebel, K. "A Framework for Developing Signal Processing and Synthesis Algorithms for the Motorola 56001." Proceedings of the 1991 Computer Music Conference. San Francisco: International Computer Music Association. 1991.
Hebel, K. and C. Scaletti. "The Software Architecture of the Kyma System." Proceedings of the 1993 Computer Music Conference. San Francisco: International Computer Music Association. 1993.
Hebel, K. and C. Scaletti. "A Framework for the Design, Development, and Delivery of Real-time Software-based Sound Synthesis and Processing Algorithms." Proceedings of the 97th Audio Engineering Society Conference. New York: Audio Engineering Society. 1994.
Chadabe, J. Electric Sound: The Past and Promise of Electronic Music. New Jersey: Prentice-Hall, Inc. 1997: 265-267.
Pope, S.T. Music "Composition and Editing by Computer", In Music Processing., ed. Goffredo Haus. Madison: A-R Editions, Inc., 1993.
Scaletti, C. "Kyma: An Object-oriented Language for Music Composition." Proceedings of the 1987 Computer Music Conference. San Francisco: International Computer Music Association. 1987
Scaletti, C. "Composing Sound Objects in Kyma" Perspectives of New Music V13, N2 : 1989.
Scaletti, C. "The Kyma/Platypus Computer Music Workstation" Computer Music Journal V13 N2. 1989.
Scaletti, C. "Kyma: An Interactive Graphic Enviornment for Object-oriented Music Composition and Real-time Software Sound Synthesis Written in Smalltalk-80." Technical Report No. UIUCDCS-R-89-1498, UILU-ENG-89-1717. Urbana: University of Illinois Computer Science Department:1989.
Scaletti, C. & R. Johnson "An Interactive Graphic Environment for Object-Oriented Music Composition and Sound Synthesis." Proceedings of the 1988 Conference on Object-Oriented Programming Languages and Systems. New York: Association for Computing Machinery. 1988.
Scaletti, C. "The Kyma/Platypus Computer Music Workstation." In The Well-Tempered Object: Musical Applications of Object-Oriented Software Technology, ed. Stephen Pope. Cambridge: MIT Press, 1991.
Scaletti, C. "Lightweight Classes Without Programming." Proceedings of the 1991 Computer Music Conference. San Francisco: International Computer Music Association. 1991.
Scaletti, C. & A. Craig. "Using Sound to Extract Meaning from Complex Data." Extracting Meaning from Complex Data: Processing, Display, Interaction II, E.J. Farrell, Ed. Proc. SPIE 1459. 1991. {Includes a Video Supplement}
Scaletti, C. "Polymorphic Transformations in Kyma." Proceedings of the 1992 Computer Music Conference. San Francisco: International Computer Music Association. 1992.
Scaletti, C. and K. Hebel. The Kyma Sound Design Language. Champaign: Symbolic Sound Corporation 1997.
Sherman B, & A. Craig. Working with Virtual Reality. Morgan Kaufman. Forthcoming.
Tarabella, L. Informatica e Musica. Milano: Jackson. 1992: 153-158.
Walker, W. et al. "ImprovisationBuilder: Improvisation as Conversation" Proceedings of the 1992 Computer Music Conference. San Francisco: International Computer Music Association. 1992.
[ICAD Proceedings]